Review: NOW That’s What I Call A Musical
Written by Jamie Griffiths on January 29, 2025
Review: NOW That’s What I Call A Musical
Opera House, Manchester 28-01-25 by Jamie Griffiths
“Now That’s What I Call A Musical” unashamedly embraces the jukebox musical genre, delivering hit after hit in a fast-paced, high-energy production. Directed and choreographed by Craig Revel Horwood, the show exudes a real sense of fun, with the cast clearly enjoying themselves on stage.
At the heart of the production is Nina Wadia, whose performance in the first act adds some emotional depth. Watching her character reflect on past choices while her younger self stumbles towards regret is a beautifully nuanced touch. Similarly, Sam Bailey shines in the second half, proving that she is not just a powerhouse vocalist but a compelling actor too.
Some musical numbers lean into a karaoke aesthetic—fitting, given the school reunion pub setting—but others truly soar. Mark Crossland’s vocal arrangements elevate key moments, and St. Elmo’s Fire stands out as particularly impressive. Nikita Johal (Younger Gemma) and Maia Hawkins (Younger April) are convincing as inseparable school friends, transporting us back to 1989 with uplifting beats and heartfelt performances.
The dance sequences are relentless, keeping the energy levels sky-high throughout. The cast tackles them with enthusiasm, and standout moments—such as Nikita Johal and Kieran Cooper executing a flawless Dirty Dancing lift mid song —are genuinely impressive.
A special treat at the Manchester Opera House was a guest appearance from Sonia, delivering You’ll Never Stop Me From Loving You with joyful nostalgia. It perfectly encapsulated the ethos of the show—pure nostalgic pop escapism which the audience were there for.
For those who grew up with Now That’s What I Call Music compilation tapes, this production is a fun, if somewhat chaotic, trip down memory lane. It may not reinvent the jukebox musical, but it certainly celebrates the genre with unapologetic enthusiasm.